31 August 2011

Interview with Jean-Pierre Melville





I saw Le Doulos last weekend: brilliantly atmospheric, with enough plot twists to make even Raymond Chandler's head spin. Funny to see M. Melville wearing the same hat my Colorado grandpa favored.

Lately, I've been thinking about what artisanal filmmaking might mean; Melville's a few years ahead of me. But how great that would be to have your film studio right below your apartment. Just like a baker or a painter, living above the shop.


Kubrick's fan note to Bergman


30 August 2011

American youth





Stormy, a dancer at the Portland, Oregon strip club Devils Point counts her money, holding some in her mouth. 
The young women who work at Devils Point, a strip club in Portland, Oregon, are part of one of the largest stripper scenes in all of the United States. With more strip clubs per capita than any other city in the U.S., the industry is as much a part of daily life for young people in Portland as the neighborhood bar is. In fact, girls can dance as soon as they turn 18, as long as they don't spend time on the floor of the bar. These girls must stay in the dressing room or in the private dance room with clients.

via

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Mist of blood: Coppola's notebook for the Godfather


28 August 2011

An open letter to Canon


An open letter to Canon from safetyhammer on Vimeo.


This is pure gold: tight, hilarious and right on target. 
Time to go practice with the damn thing.

"We would like to remind patron that The Tree of Life is uniquely visionary . . ."


“We would like to remind patrons that The Tree of Life is a uniquely visionary and deeply philosophical film from an auteur director,” wrote the management of the Avon Theatre. “It does not follow a traditional linear narrative approach to storytelling. We encourage patrons to read up on the film before choosing to see it, and for those electing to attend, please go in with an opened mind and know that the Avon has a NO-REFUND policy once you have purchased a ticket to see one of our films.”
  • A cinema in Stamford, Connecticut took the rare step of displaying a poster warning filmgoers not to expect a refund if they paid to see Tree of Life and walked out. (via The Guardian)

25 August 2011

Charisma

“Hemingway gave us a haunting clue to it,” she replied. “In his obsession with the Spanish bullfights, he spoke of the lust of the crowd and its desire to feel something special, a raw authenticity, even in so brutal a setting. What he mentions is the hush that would come over the crowd at the entrance of the toreadors. The people could sense the difference between those who did it for the fame, the paycheck, and those who had the old spirit: the nobility, bravery, heart, ‘duende.’ I believe this also happens in the theater. The crowd can sense the one with the authentic message, the connection to the truth.”
via

Knuckle (reminds me of my family)



A Sundance favorite, this doc follows bare knuckle fighters and three feuding families.
Can't wait.

Via

21 August 2011

From the last entries in Mayakovsky's notebook



She loves me? She loves me not?
I wring 
My hands and scatter the broken-off fingers.
LIke petals you pluck from some 
White little flower along your way.
You hold them up to the breeze,
They’ve told your fortune,
They drift off into May.
Though
Now a haircut
Lays bare thorns of gray,
Though my morning shave shows me
On the bib the salt of age,
I hope, I believe
I will never weaken.
Never be caught
Showing good sense.


                       - Vladimir Mayakovsky                         
                          (adapted by Frederick Seidel)

17 August 2011

Attention Google

How thoroughly and how radically Google has already transformed the information economy has not been well understood. The merchandise of the information economy is not information; it is attention. These commodities have an inverse relationship. When information is cheap, attention becomes expensive. Attention is what we, the users, give to Google, and our attention is what Google sells—concentrated, focused, and crystallized.

How Google Dominates Us, by James Gleick in the NYRB